Poltergeist Fan Blog

A blog to share my love for the greatest horror franchise in history,talking about the 1980's original series/trilogy as well as the remake that came out back in May 2015 and other news about possible sequels to the remake and special releases of the remake and the original trilogy.

Monday, September 7, 2015

'Poltergeist' Curse

Claim:   The Poltergeist film series is "cursed" and has seen several strange deaths occur among its cast members.

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Origins:   What is seen as an unusually large number of deaths have occurred among the former cast of the Poltergeist trilogy. This occurrence has given rise to the rumor the productions were in some way "cursed" due to the nature of the films themselves, as if the evil spirits conjured in the make-believe world of the cinema have since reached out into the real world to claim what they might see as their rightful victims.

A poltergeist in folklore is a noisy and destructive (but usually mischievous, not malicious) ghost held to be responsible for unexplained noises and movement of objects within a home. It is hypothesized poltergeists are drawn to homes in which there are prepubescent children, especially girls. Three horror films based on this form of lore comprise the Poltergeist trilogy: image: http://www.snopes.com/movies/graphics/polter.jpg
Scene from Poltergeist Poltergeist (1982), Poltergeist II (1986), and Poltergeist III (1988). Each recounts an episode in the lives of the Freelings, a fictitious family who have the bad luck to take up residence in homes inhabited by spirits intent upon kidnapping their children or sending their kids to live in similar places.

Though coincidence is a much more likely explanation than a curse, there have been four deaths among the cast of this set of films: Dominique Dunne (Dana Freeling), Heather O'Rourke (Carol Ann Freeling), Will Sampson (Taylor, a good spirit), and Julian Beck (Kane, an evil spirit). Though two of the deaths were foreseeable (expected, even), two others were not. It's the combination of the two unexpected deaths that lies at the heart of every rumor about a Poltergeist curse.

Dominique Dunne, the 22-year-old actress who portrayed big sister Dana Freeling in the first Poltergeist film (released in June 1982), died on 4 November 1982 at Cedars-Sinai Medical Center in Los Angeles, four days after her boyfriend choked her into a coma from which she never awoke. Weeks earlier, Dunne had ended her abusive live-in relationship with Los Angeles chef John Sweeney, but on the night of 30 October 1982, he dropped by their former shared residence to plead with her to take him back. The conversation did not go as he'd hoped, and the encounter ended with him strangling her for what was later determined to be 4 to 6 minutes, then leaving her for dead in her driveway.

image: http://www.snopes.com/movies/graphics/dunne.jpg

Sweeney was convicted of voluntary manslaughter, sentenced in November 1983, and released in 1986 after serving only 3 years, 8 months of a 6½ year sentence. His short sentence and early release remain subjects of controversy.

Heather O'Rourke, the child actress who played Carol Anne Freeling throughout the Poltergeist series (starting when she was six years old), unexpectedly passed away at the age of 12 when she died of septic shock on 1 February 1988 at the Children's Hospital in San Diego. What had been thought to be a bout of ordinary flu launched her into cardiac arrest during the drive to the local hospital as bacterial toxins set loose by a bowel obstruction made their way into her bloodstream. Her heart was successfully restarted and she was flown by helicopter to the much-larger Children's Hospital, where she underwent an operation to remove the obstruction. The toxins rampaging through her system proved too much, however, and she died on the operating table.

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The circumstances surrounding her passing rendered her death even more of a shock than it otherwise would have been, as she went overnight from a little girl who had the flu to a dead little girl who expired during a desperate operation to save her life. It's hard enough to accept that a child can die of an illness, let alone a healthy-looking youngster no one knew anything was wrong with. (That she looked healthy did not necessarily mean that she was. The year before her death she'd been diagnosed as having Crohn's Disease, a lifelong inflammatory small bowel disease which often first manifests in children and young adults.) Of course such an unexpected death would fuel rumors, especially when considered in conjunction with Dominique Dunne's murder only six years earlier.

O'Rourke had appeared in all three Poltergeist movies. Poltergeist III had yet to be released at the time of her death, leading to rumors that she

had expired during shooting and a double was used to complete the picture in her place. O'Rourke's family and agent said at the time of her death her scenes for Poltergeist III had been completed several months earlier (back in June 1987), but writer/director Gary Sherman has maintained filming of Poltergeist III had not yet finished when O'Rourke died, necessitating script changes to complete the film in her absence.

The other two deaths connected with Poltergeist were of seasoned actors well into their careers, both suffering from serious illnesses that would in time take their lives. Because their deaths were not unexpected, only rarely is either mentioned in connection with the Poltergeist "curse."

Julian Beck, the 60-year-old actor who played the evil spirit Kane in 1986's Poltergeist II: The Other Side, died of stomach cancer on 14 September 1985 at Mount Sinai Hospital in New York seven months before the film's May 1986 release. Unlike O'Rourke's death, his was not unexpected, as he had been battling cancer for 18 months.

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Will Sampson, the 53-year-old Native American actor who portrayed the good spirit Taylor in Poltergeist II, died in a Houston hospital on 3 June 1987, about a year after the film's release. Sampson had received a heart-lung transplant six weeks earlier, and the cause of his death was ascribed to severe pre-operative malnutrition and post-operative kidney failure and fungal infection. It has been said he knew his chances for survival were small due to his weakened condition prior to surgery.

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Like Beck, Sampson appeared in only one film in the series, Poltergeist II, released in May 1986. He was best known for his portrayal of the Indian who feigned being mute in One Flew Over the Cuckoo's Nest.

Zelda Rubinstein, the diminutive actress who filled the part of seer Tangina Barrons in all three Poltergeist films and reprised the role in the spin-off TV series Poltergeist: The Legacy, died in 2010. She passed away of natural causes at the age of 76, however, hardly the type of death one associates with a "curse" that supposedly causes unexpected and premature demises.

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Although he was not a cast member, English film director Brian Gibson, who helmed Poltergeist II, died of Ewing's sarcoma at the age of 59 in 2004.

In a popular form of the rumor, one of the child actors is said to have come to an untimely end after the making of each film, one murdered, one in a car accident, and one of a mysterious disease. Though it's true actresses Dominique Dunne and Heather O'Rourke have since died, Oliver Robins, the child actor who played their characters' brother Robbie Freeling in the first two films, is still with us. No child actor from the Poltergeist series was killed in a car crash or died just after Poltergeist II was completed.

An extreme version of the "curse" rumor asserts everyone who appeared in these movies is now dead. That news must come as quite a shock to numerous thespians, most notably Craig T. Nelson (Steve Freeling), Jo Beth Williams (Diane Freeling), and Tom Skerritt (Bruce Gardner), all of whom think they're still alive and continue to ply their trade in movies and television shows despite their deceasedness.

The February 2015 release of trailers for the upcoming a Poltergeist reboot/remake (with different cast members) prompted renewed interest in the original trilogy's supposed "curse."

Barbara "spirited" Mikkelson

Last updated:   23 May 2015

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Sources:

    Arnold, Roxane.   "Strangled Actress; Did Slayer's Penalty Fit His Crime?"
    Los Angeles Times.   3 December 1986   (p. A1).
    Associated Press.   "Poltergeist Actress in Coma After Being Choked on Coast."
    The New York Times.   1 November 1982   (p. A17).
    Associated Press.   "Dominique Dunne, Actress, Dies After Being Choked."
    The New York Times.   5 November 1982   (p. D19).
    Associated Press.   "Slayer of Actress Sentenced to 6 1/2-Year Maximum Term."
    The New York Times.   13 November 1983   (p. A28).
    Folkart, Burt.   "Role in Cuckoo's Nest; Will Sampson, Gentle Indian Giant, Dies."
    Los Angeles Times.   4 June 1987   (p. A24).
    Folkart, Burt.   "Poltergeist Star Heather O'Rourke Dies at Age of 12."
    Los Angeles Times.   3 February 1988   (p. A3).
    Freedman, Samuel.   "Julian Beck, 60, Is Dead; Founded Living Theater."
    The New York Times.   17 September 1985   (p. B6).
    The San Diego Union-Tribune.   "Heather O'Rourke, 12, Dies, San Diego Actress."
    2 February 1988   (p. A3).
    United Press International.
    2 February 1988   California; Regional News.

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Review: POLTERGEIST (2015)

Review: POLTERGEIST (2015)
May 22, 2015

Review: POLTERGEIST (2015){0}

“They’re here.” Again.
Much like a house built on top of the unrestful dead, Gil Kenan’s Poltergeist is haunted by the ghost of Tobe Hooper’s original. Few complained that the 1982 film itself drew much of its plotting from a 1962 Twilight Zone episode called “Little Girl Lost” (about a child who has slipped into the fourth dimension of a house, and her parents’ desperate attempts to get her back). Few even complained when Poltergeist was recently ‘reimagined’ as Insidious, the most profitable film of 2011. At issue here is not the lack of originality as such, but rather the reappropriation of a title – and therefore of a brand – to cash in on the original’s cachet and dance, as it were, on its grave.

There is, of course, no accounting for nostalgia – but Hooper’s film was very much of its time, and proves ripe for revisiting. As the middle-class Freelies found their domestic life being torn apart by spectral entities, the real bogeyman – shown in extreme close-up in the film’s opening shot, used by ghosts as a medium, and pointedly discarded in the final shot – was television itself, which in the early Eighties had come to dominate American living spaces and challenge parental authority. Oh how times have since changed, with the digital age opening the doors and, heh, windows of our homes to all manner of malign new outside influences. You can see it in the very visual DNA of Kenan’s film, a CG extravanganza that contrasts with the original’s last-gasp use of practical effects and (notoriously) real skeletons. Now it is not just the third dimension that we are seeing for the first time through our Real D 3D glasses, but also the paradoxical fourth dimension of the otherworld beyond the house’s portals, realised through cutting-edge digital rendering, and made visible within the story by a camera mounted on a drone which young Griffin Bowen (Kyle Catlett) operates remotely via a digital console.
All the beats of the original – the poltergeist activity, the animated tree, the black-hole bedroom closet, the haunted televisions, the team of paranormal helpers, the unburied dead – are present and correct, but there are also changes rung right from the start. If the opening blurry close-up of a staticky screen appears to ape the beginning of the original film, it quickly resolves itself into a horror-themed video game on a tablet which Griffin is playing while driving with his family to their new home – and the televisions that do eventually feature are conspicuously of the modern, flat-screened variety. Dad Eric (Sam Rockwell) has just been downsized in the recession. Mum Amy (Rosemary De Witt) is juggling child-rearing with writing. Their new house is picked up cheaply after being foreclosed in the Credit Crunch. Griffin’s older sister Kendra (Saxon Sharbino) spends most of her time Skyping or texting her friends, and insists of her smartphone: “This isn’t a luxury item, Dad, this is a necessity”. Even little Madison (Kennedi Clements) has a cute pink digital synthesiser that goes haywire when the haunting starts. Meanwhile, Zelda Rubinstein’s freaky southern medium Tangina has now become Jared Harris’ lovably Oirish ghostbuster Carrigan Burke, already known to Kendra from his reality television show. The expression “this house is clean”, lifted from the original film, is now Burke’s TV catchphrase, and comes with its own hashtag. We are a long way from 1982 here.
The original Poltergeist was a strange beast. Presumably Hooper was hired to bring to it the ineffably sick tonality of his The Texas Chain Saw Massacre (1974) or Eaten Alive (1977) – but its writer and producer, Steven Spielberg, exerted at least as much influence on the final product, giving rise to persistent rumours that he was in fact its de facto director. Whatever the truth of this, Poltergeist had far more in common with the positive vision of bourgeois suburbia found in Spielberg’s own Close Encounters of the Third Kind (1977) or E.T. – The Extra-Terrestrial (released within a week of Poltergeist) than with any unnerving Texploitation made by Hooper, and often seemed to be a feel-good family film merely masquerading as horror. Insidious certainly redressed this imbalance by damping the comedy and amping the scares – and this remake also puts more emphasis than the original on fright-filled set-pieces, multiplying the clown dolls, showing us a limbo full of writhing, gooey corpses, and even throwing in some power-tool peril for good measure. Yet despite the increased number of jumps and bumps, the original’s good nature remains. After all, Kenan has previously directed dark-tinged films for younger viewers (Monster House, City of Ember), while screenwriter David Lindsay-Abaire is best known for child-friendly scripts (Robots, Inkheart, Rise of the Guardians, Oz the Great and Powerful). The result is a ghost train hardly inferior to the first Poltergeist (which has come to be somewhat overrated in the memories of Generation X), but more up to date.
Anton Bitel (@AntBit)
POLTERGEIST is in cinemas now.
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Poltergeist (2015) - Rotten Tomatoes

Poltergeist (2015)

Poltergeist
  • All Critics
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  • Top Critics

TOMATOMETER

31%
Average Rating: 4.8/10
Reviews Counted: 102
Fresh: 32
Rotten: 70
Critics Consensus: Paying competent homage without adding anything of real value to the original Poltergeist, this remake proves just as ephemeral (but half as haunting) as its titular spirit.

AUDIENCE SCORE

24%
liked it
Average Rating: 2.5/5
User Ratings: 33,941

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Movie Info

Legendary filmmaker Sam Raimi ("Spiderman," "Evil Dead", "The Grudge") and director Gil Kenan ("Monster House") contemporize the classic tale about a family whose suburban home is haunted by evil forces. When the terrifying apparitions escalate their attacks and hold the youngest daughter captive, the family must come together to rescue her before she disappears forever. (C) Fox
Rating: PG-13 (for intense frightening sequences, brief suggestive material, and some language)
Genre: Horror
Directed By: Gil Kenan
Written By: Steven Spielberg, David Lindsay-Abaire
In Theaters: May 22, 2015 Wide
On DVD: Sep 29, 2015
Runtime: 1 hr. 33 min.
20th Century Fox - Official Site

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Cast

Sam Rockwell
Sam Rockwell
as Eric Bowen
Rosemarie DeWitt
Rosemarie DeWitt
as Amy Bowen
Kyle Catlett
Kyle Catlett
as Griffin Bowen
Saxon Sharbino
Saxon Sharbino
as Kendra Bowen
Kennedi Clements
Kennedi Clements
as Madison Bowen
Jared Harris
Jared Harris
as Carrigan
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Poltergeist (Trailer 1)
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Critic Reviews for Poltergeist

All Critics (102) | Top Critics (16) | Fresh (32) | Rotten (70)
Director Gil Kenan ruins the pacing with too many half-baked, awkwardly staged horror set pieces, but the cast acquit themselves well enough.
Full Review… | May 28, 2015
Drew Hunt
Chicago Reader
Top Critic
For about 20 minutes, Poltergeist gave you the feeling that you're in for a fun time. But fun turned into routine way too fast.
Full Review… | August 14, 2015
Josh Terry
Deseret News, Salt Lake City
A supernatural horror movie that will move your pulse in places but do little to nudge your soul.
Full Review… | August 14, 2015
Kristian M. Lin
Fort Worth Weekly
Poltergeist is a poor and unnecessary remake. [full review in Spanish]
Full Review… | June 30, 2015
Cuauhtémoc Ruelas
Tijuaneo
Gil Kenan's new version keeps details of the original story, but it is unable to provide a new mythology. [full review in Spanish]
Full Review… | June 26, 2015
Luis Fernando Galván
En Filme
A worthy remake, though it doesn't outshine Tobe Hooper's version. [full review in Spanish]
Full Review… | June 26, 2015
Oswaldo Betancourt Lozano
Chilango.com
Nothing will surprise you if you've seen the original, but it will keep you on the edge of your seat. [full review in Spanish]
Full Review… | June 25, 2015
Ali López
Butaca Ancha
Feels like what the Lifetime Channel in America would do to a remake of the Tobe Spielberg classic haunting film.
Full Review… | June 25, 2015
Felix Vasquez Jr.
Cinema Crazed
a ghost train hardly inferior to the first Poltergeist (which has come to be somewhat overrated in the memories of Generation X), but more up to date.
Full Review… | June 23, 2015
Anton Bitel
TheHorrorShow
A needless yet entertaining remake...
Full Review… | June 22, 2015
David Nusair
Reel Film Reviews
At its best, the film is a conspicuously less-good version of a thing that exists in a perfectly fine iteration. At its worst, it's basically a disaster site.
Full Review… | June 20, 2015
Tim Brayton
Antagony & Ecstasy
'Poltergeist' is yet another decent remake that's a reimagining of a 1980s classic.
Full Review… | June 10, 2015
Linda Cook
KWQC-TV (Iowa)
View All Critic Reviews (102)

Audience Reviews for Poltergeist

Perhaps the biggest disappointment this year. I was a HUGE fan of the original and part of it's appeal was the sense of love that the family had for each-other. Mother & daughter in particular. While this version starts out feeling like a comparable homage...it has none of the heart or soul that the first one had. Not to mention the fact that there was little to no build up to the daughters abduction. I left the theater angry because the potential was there.
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RCCLBC
Robert C
Super Reviewer
I can't see any homage in this painfully derivative movie that reuses the worst clichés of the genre, with a lazy script that has no shame to come up with the most ridiculous "explanation" ever (drawn on paper, to appear more "scientific") for a supernatural phenomenon.
blacksheepboy
Carlos Magalhães
Super Reviewer
½
Almost thirty years since the last ?Poltergeist? film was released, like any classic horror film, here comes the remake whether you asked for it or not. ?Poltergeist (2015)? was definitely not asked for, however, before I go off on a tangent and rip it apart, there are a few positives to take away here. Sam Rockwell as the father does a tremendous job holding your attention in the moments that you seem to not care about, and that impressed me. Although the film does have much more CGI effects than it should, there are a few nice practically done moments that paid homage to the original films. Sadly, there not many more positives. The actors portraying the children are laughably wooden at times, the events all feel forced just to show ?the other side,? and the classic beats are completely replicated here, so much so to the point that you just feel like saying, ?what was the point, really?? Overall, ?Poltergeist (2015)? is an updated replica of the original 1982 horror classic that has a lazy script, an uninterested cast, and an uninteresting premise that brings nothing new to the table. I would recommend this film to fans of the original who want another dose, or to those who have no idea what these films are about. Other than that, stay far away. It is definitely not a film you will be remembering.
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KJ Proulx
KJ Proulx
Super Reviewer
½
My expectations were low and even then I was let down. Rockwell is quality because he's always quality but that one thing doesn't at all justify this remake.
Gimly Monocle
Gimly Monocle
Super Reviewer
View All Audience Reviews (1187)

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It's Baaaack: Poltergeist Reboot Revives 'Haunted' Franchise

By Gogo Lidz / May 19,2015 11:47AM,EDT
05_22_Poltergeist_02
Madison Bowen (Kennedi Clements) discovers apparitions that have invaded her family’s home in "Poltergeist." 20th Century Fox
Filed Under: Culture, Movies, Horror Movies, Paranormal
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In 1982, Steven Spielberg’s Poltergeist did for ghosts what E.T. did for aliens and Fast Times at Ridgemont High did for pizza deliveries in history classes. It made cold spots hot. The plot involves a graveyard of ghouls who get shaken and stirred, and menace the family of Steven and Diane Freeling. They abduct 6-year-old Carol Anne Freeling by sucking her into a closet straight out of The Twilight Zone. Directed by Tobe Hooper of Texas Chainsaw Massacre fame, the movie grossed a then-phenomenal $76.6 million. Two Spielberg-less and Hooper-less sequels didn’t perform as well: Poltergeist II: The Other Side in 1986 ($41 million) and Poltergeist III in 1988 ($14.1 million).
But the films are best remembered for the spooky occurrences that happened off camera. Production was said to be “cursed” after special-effects makeup artist Craig Reardon used real skeletons instead of plastic ones in the original’s climactic swimming pool scene. That’s at least according to Poltergeist actress JoBeth Williams, in a 2002 installment of VH1’s I Love the ‘80s. Four actors from the original three films also died around their release dates: Dominique Dunne (teen daughter Dana Freeling in Poltergeist) was strangled by her abusive boyfriend; Heather O’Rourke (Carol Anne Freeling in Poltergeist, II and III) succumbed to septic shock at age 12; Julian Beck (malevolent spirit Kane in Poltergeist II) perished of stomach cancer; and Will Sampson (the good Native American named Taylor in Poltergeist II) died from heart and lung transplant complications. It’s hard for some to not view those coincidences in a paranormal light, especially given the film’s subject matter.
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In horror lore, the poltergeist—or “noisy ghost”—doesn’t haunt, which is a place-specific gig, but instead causes physical disturbances around certain people, usually children. Nasty habits include upending tables, chucking pots, knocking, banging, starting fires and goofing around with electromagnetic fields. The havoc it wreaks isn’t meant to send a message—this isn’t a vengeful soul seeking retribution—it’s just part of the deal. So is it all a myth? Well, yes. But some people aren’t convinced.
Parapsychologist Christopher Chacon has been active in the field for three decades and works for a “high-profile parapsychologist team” that, he claims, the FBI hires now and then. Poltergeisting “has been way up,” according to Chacon, who says his team has been getting more calls than ever before. Alas, his claims are difficult to verify since he won’t divulge the names of his clients. But he assures Newsweek that apparitions are out there. On the Island of the Dolls in Mexico, Chacon swears he once saw thousands of dolls turn their heads and glare at him. “They crawled toward me—maybe 12 inches in 20 seconds—and then stopped,” he recalls. “The only other plausible explanation is that gophers had crawled inside them.”
Yes, that’s the only other plausible explanation.
When asked about whether the Poltergeist films are haunted, he says: “I’ve learned to keep an open mind. Just because someone died in a house doesn’t mean there’s a ghost or a poltergeist, and just because a house is haunted doesn’t mean someone died there.”  He’s reluctant to call the franchise ghost-infested and leans toward the arguably more likely theory that all the lethal happenings were coincidental. “I’m sure if you did the research, there are other movies where unfortunate circumstances happened. But they don’t get the same publicity because they aren’t about the paranormal.” That’s some pretty pragmatic thinking for a guy with the same job description as Peter Venkman from Ghostbusters.
05_22_Poltergeist_01 Eric Bowen (Sam Rockwell) and wife Amy (Rosemarie DeWitt) desperately try to hold on to their youngest daughter Madison (Kennedi Clements), who’s been targeted by terrifying apparitions in "Poltergeist." Kerry Hayes/20th Century Fox
While it’s probably in Chacon’s best interests to believe in ghosts, a form of parapsychology has been around for awhile. In 1931, 13-year-old Voirrey Irving claimed to have met a bushy-tailed, flat-snouted, yellow-haired creature that introduced himself as "Geoff, an extra-clever mongoose from Delhi" that was born in 1852. Geoff, who insisted on spelling his name G-E-F, said he was “not a spirit” but instead called himself “the fifth dimension” or “the eighth wonder of the world.” Allegedly, he lived behind the paneling of the cottage Voirrey shared with her family on England's Isle of Man. A talented mongoose, he was said to be capable of shifting shapes, making himself invisible and crooning "Carolina Moon" from memory.
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Reporters soon descended on the village of Dalby to hear how Gef would roam the countryside to pass gossip back to the Irvings. The story was more or less corroborated by a local bus conductor who insisted that the Dalby Spook had once snatched his sandwiches. Eventually, the yarn reached Harry Price, one of the day’s noted paranormal investigators. Price visited the island and, though he didn’t entirely dismiss the sightings, noted that Voirrey was an accomplished ventriloquist. (Gef, incidentally, disappeared when the Irvings moved out in 1935). The phenomenon and the setting were later revisited on the popular British reality show Most Haunted, where the show’s resident “expert,” Richard Felix, observed: "You have a young girl of 13, and this case started with rapping and tapping and things disappearing and coming back again. Typical poltergeist activity."
Which brings us to the latest addition to the polter-zeitgeist: On May 22, after a 27-year hiatus, a reboot of Poltergeist will be released in theaters nationwide, bringing the franchise back to life (afterlife?). It’s an updated take on the original, produced by Sam Raimi, directed by Gil Kenan and starring Sam Rockwell and Rosemarie DeWitt. This year’s model will be 3-D, giving the noisy ghosts plenty of opportunity to hurl stuff straight into moviegoers’ faces.
Rather than being limited to TV sets and pink toy telephones, the spirits in the remake can access and interfere with all the different screens, devices and monitors we now use on a daily basis. The parapsychologists portrayed in the film are cutting-edge techies—drones are one of their ghost-busting tools. “We used a small quadro-copter with two cameras on it, piloted through a smartphone or tablet,” says Kenan. The new Poltergeist is “fairly accurate” at depicting paranormal investigations, says Chacon. "As was the original.”
Though the film’s marketers at Fox included facts about the Poltergeist curse in their press releases, they’re not playing it up in their social media campaigns. Still, Kenan is eager to see if he breached any paranormal barriers. "I don't want to be trite about the curse, because it's linked to some real tragedies," he says. "But I would be lying if I said it didn't hold a small thrill for me, the idea that I get to open a tiny crack into the world of the unknown and that might lead to all kinds of excitements down the road."

Maybe he did open something: While filming in Ontario last year, some of Kenan’s crewmembers got suspicious of what he calls “mysterious disturbances.” One of these involved a drone camera used on the set. “The big open field directly behind the house caused us some grief,” says Raimi. “The open space seemed to interfere with our on-set radio microphones, personal cellphone transmissions and the signals between the drone cameras and their operators. The drone would work perfectly everywhere else but would crash whenever it attempted to fly over this area. It was a disconcerting feeling at best.”
Kenan says the equipment issue “actually was enough to unsettle the crew members.” It didn’t help that one local woman who strongly objected to the Poltergeist production “would walk up and down the street and say we brought the devil into their neighborhood, and that we unleashed dark forces and were all doomed.” Raimi and Kenan ended up calling in a Cleveland-based clairvoyant named Brenda Rose. “Usually, when spirits get lost, they need a bit of guidance to find their way back to their destination,” Rose says of her work “cleansing” the set.
Raimi has said he doesn’t believe in ghosts or the supernatural, but Kenan is a believer. A self-described “paranormal-obsessed” guy, he studied spoon-bending and claims he was once “fairly proficient” in the art of moving dinnerware with his mind (there’s a nod to that ancient parlor trick in his reboot). Parts of the latest Poltergeist were filmed in the San Fernando Valley, where Kenan insists he has experienced “a few physical manifestations” and “an energy, like someone was following me, but no one was there.”
Hope he doesn’t get the same feeling in multiplexes during the film’s opening weekend.

Correction: A previous version of this article stated that the latest Poltergeist was set in the San Fernando Valley instead of filmed in the San Fernando Valley.
Posted by ChillieWillie114 at 9:51 AM No comments:
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