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Disclaimer: No matter how this Film Face-off ends up, or what we all
think of this remake, your childhood memories have not been ruined. The
original film still exists the same as it always has. It has been 33
years, and with every other notable horror franchise getting rebooted in
some sort of way, it was only a matter of time before we got a new Poltergeist.
So, let's see if they could maintain, or possibly improve upon one of
the scariest PG-rated horror films of all time. It's 1982 versus 2015.
Winner: 1982. First, let's take a minute and discuss the
use of "they." Both films have it wrong, right? A poltergeist is a
singular thing. "It" is here. "It" knows what scares you. Right? Unless
we want to call the films Poltergeists. Wait, where are you
going? Fine, I'll stop with the grammar. The '82 film also sports the
tagline "The first real ghost story." In either case, '82 wins. "They're
here," is one of the most significant taglines, period. Who is here?
It's creepy. The '15 tagline is like a challenge. Oh really? They know
what scares me? They better, otherwise I've wasted my money. It's the
same feeling you have when someone says, "I have the funniest thing in
the world to tell you." You doubt.
Winner: 1982. I worship Rockwell. You will too if you watch this -- Sam Rockwell: Dancing Machine.
Sadly, none of this matters for the '15 film. While Clements has a good
presence as little Madison, she isn't present for much of the film.
Plus, they give Catlett (the slightly older brother) way too much to do,
and end of missing the mother/daughter relationship. The '82 film
establishes Diane as someone who is willing to do whatever she can, no
matter how insane it might seem, to save her daughter. They also nail
Steve and being completely overwhelmed and burnt out by the insanity.
O'Rourke is a little blonde scene stealer.
Winner: 1982. I don't need Harris to ever try on that
accent in a film again. But even without it he wouldn't come close to
the impact that Rubinstein has as the spiritual medium. She's just so
wonderfully tiny, and that odd voiced only makes her more mesmerizing on
the screen. In the '82 film Marty has that iconic moment with the steak
and then his face peels off. Even though it looks dated now, it's a
great use of practical effects that mentally scarred me as a child.
Plus, he had it coming. Who just takes a steak from someone's fridge
without asking? In the '15 film they give Boyd a potential scare with a
drill in the wall. His foolishness simply means I didn't care.
Winner: 1982. This is close. The '82 film begs the
question, who the hell thought it was a good idea to buy a really creepy
looking clown for a easily frightened boy? Plus, the actual choking
doesn't hold up as a quality scare. The '15 film stumbles upon a pile of
clowns begging the question, who hides a pile of clowns? Sadly, we'll
never know the answer. The reason the '82 film gets the win is because
of the wonderful pace, and camera angles when the clown first starts
messing with Robbie.
Winner: 1982. In the '82 movie, there is a charm to
discovering the poltergeist. Plus, when things happen, it's in front of
the Freelings, not simply for the audience to see (like the flickering
lights). Also, the reason the tree tries to eat Robbie is to distract
the parents and nab Carol Anne. The '15 film completely misses that
point. The CGI of a bunch of spirits/souls clawing their way around in
the update doesn't scare compared to one really upset poltergeist simply
known as the beast.
OVERALL WINNER: Poltergeist (1982) defeats Poltergeist (2015) 5-0
It's a sweep. I couldn't think of one category where the new film would beat the original. Even the technological updates are sometimes good (GPS trackers, a helicopter drone) and sometimes bad (HD TVs and smart phones don't get visual static). Another annoyance is the layout of the new house, especially not understanding how amazing the main staircase is in the original film, which helps stage the action wonderfully. There is no reason the new film exists, except its marketable name. Thankfully, the 1982 film still remains the same.
The Tagline
Poltergeist (1982)
They're here. |
Poltergeist (2015)
They know what scares you. |
The Family
Poltergeist (1982)
Craig T. Nelson is the dad, Steve Freeling. JoBeth Williams is the mom, Diane Freeling. Their kids are Dana (Dominique Dunne), Robbie (Oliver Robins) and Carol Anne (Heather O'Rourke). |
Poltergeist (2015)
Sam Rockwell is the dad, Eric Bowen. Rosemarie DeWitt is the mom, Amy Bowen. Their kids are Kendra (Saxon Sharbino), Griffin (Kyle Catlett), and Madison (Kennedi Clements). |
The Others
Poltergeist (1982)
There are a group of parapsychologists from UC Irvine, Dr. Lesh (Beatrice Straight), Ryan (Richard Lawson), and Marty (Martin Casella), and Steve's boss, Lewis (James Karen). Most importantly, there is Tangina Barrons (Zelda Rubinstein), a spiritual medium. |
Poltergeist (2015)
Amy goes to her alma mater and recruits Paranormal Research department to come to their house. It's Dr. Brooke Powell (Jane Adams), Sophie (Susan Heyward), and Boyd (Nicholas Braun). Carrigan Burke (Jared Harris) is a spiritual medium. |
The Clown(s)
Poltergeist (1982)
There is one really creepy clown. |
Poltergeist (2015)
There are many really creepy clowns. |
The Poltergeist
Poltergeist (1982)
First some tables and chairs move around, then Carol Anne slides
across the floor with a helmet. A tree tries to eat Robbie, everything
spins in a room, and then "the Beast" makes his presence known. |
Poltergeist (2015)
There's some sort of stick coming up from the ground, lights
flicker when no one is around, cards stack up, flowers die, a tree grabs
Griffin, Eric vomits mud and worms, and then the spirits really want
Madison. |
OVERALL WINNER: Poltergeist (1982) defeats Poltergeist (2015) 5-0
It's a sweep. I couldn't think of one category where the new film would beat the original. Even the technological updates are sometimes good (GPS trackers, a helicopter drone) and sometimes bad (HD TVs and smart phones don't get visual static). Another annoyance is the layout of the new house, especially not understanding how amazing the main staircase is in the original film, which helps stage the action wonderfully. There is no reason the new film exists, except its marketable name. Thankfully, the 1982 film still remains the same.
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